|    Till  recently, Champagne with bigger bubbles was considered better. Because of the  proliferation of sparkling wines made through methods other than secondary  fermentation in the bottle (Méthode Traditionelle), there seems to be a desire  for finer bubbles.  Dr.Gérard Liger-Belair, now a professor of Physics at the University of Reims  in Champagne, was so fascinated by the bubbles while drinking beer in Paris  that he decided to travel to Reims and conduct a scientific study on the  formation of bubbles in Champagne in 2000.         
      
  His research and work,  including high-speed photography of popping bubbles and infrared imaging of  carbon dioxide flow, have made him the world's highest-profile expert on the  science of Champagne. His first book Uncorking the Science of Champagne, published in 2004, was Award winning in the professional/scientific category.  His paper on the Physics behind the fizz in champagne and sparkling wines was  published online by The European Physical Journal on 12 March, 2012 and forms  the basis of the above findings and recommendations to better enjoy sparkling wines.  Some of these are:    
         Opening the Bottle
                   The  cork flies off the Champagne bottle at the speed of 50 kmh, and as much as 80  percent of the CO2 contained in the bottle races out instantly. Opening the  bottle carefully is one of the ways to most enjoy a bottle of sparkling wine. If you can ease off the cork (remember that the cage wire has to be  untwisted six times no matter which sparkling wine it is - Champagne or other  French sparklers, Italian or Indian etc) without the popping sound and letting  go of the ‘stars’, you'll preserve the precious bubbles that the French  Benedictine Monk Dom Perignon is erroneously attributed to having called  "drinking the stars."        
                   Quantity  of bubbles: The average bottle of Champagne contains about 9 grams of  dissolved Carbon Dioxide - enough to produce about 20 million bubbles. When the  CO2 evaporates and leaves the glass, the wine becomes flat. That’s why the age  of the Champagne is a parameter of importance. Corks do not provide an absolute  seal, so some gas escapes over the years and thus old Champagnes show small  bubbles because of their age. In an international wine competition in which  a sparkling wine of 2001 vintage (the vintage was a give-away that it was  most likely a champagne) was awarded a Gold by every judge on my panel, I did  not budge from a Bronze. Reason-it was flat with hardly any bubbles left and to  me it barely classified as a sparkling wine with zero marks for effervescence,  bringing my score down to a Bronze.
          The two main factors  responsible for finesse of the bubbles are the level of dissolved CO2 in the  Champagne or sparkling wine and the height of the glass.                              
         Another factor is the amount  of sugar added to the bottle for secondary fermentation. More sugar means more  bubbles. Drier Champagnes will generally have a finer mousse. This is partly  the reason for the current trend for zero dosage sparkling wines (not popular  in India yet as the drinkers feel the flavours are too dry and steely).        
         Taming the Bubbles                
         Champagnes or other  sparkling wines, especially with a shade of sugar, can be a perfect mate with  meals except the possible turbulence in the stomach and the occasional burps.  You don’t have to burp, according to Maurizio Zanella, president of Ca’ del  Bosco in Franciacorta. A unique style claimed to have been developed by  Bella Vista in Franciacorta in Italy and now standardized in the area is known  as Satén  
           
        (Satin-named after the silk not  only because the region was known to make silk before China and India took over  as the suppliers).The bubbles in Satén are less aggressive, at a maximum  pressure of 5 atm. compared to the 6 atm. for the regular style-making it  smooth and silky on the tongue, feminine and more suitable as a dinner wine.         
 Champagne Glasses 
      The last 30 years have seen  a complete shift in Champagne glasses from the wide, shallow coupe that was  allegedly (and most likely erroneously) modeled on Marie Antoinette's breasts.  In order to showcase the bubbles, restaurants moved to the flute - a tall and  narrow glass with long stem. Even in India, the trend has finally shifted to  the flutes during the last 2-3 years.  
      Bubbles grow in size as they  rise toward the Champagne surface. You can see more and bigger bubbles in a  flute with a large pour. Thus it's still the right glass for celebrations such  as weddings, where the visual aspect is most important.  
       In  any case, avoid using plastic material for sparkling wine glasses. The plastic  material is liquid-repellent. This means the bubbles are more likely to adhere  to the sides of the cup and less likely to contribute to a pleasant looking  fizz. 
       Always wash your glasses  before the party and dry with a towel rather than letting them air-dry: The  microscopic fibers of cellulose that are left inside the glass actually  contribute to bubble production. Some glass-makers even add tiny scratches to  their Champagne glasses to create pleasing patterns of bubbles. 
       Flute  may not be the final answer 
              However, many winemakers,  sommeliers and glass producers have discovered that the flute is not the best  way to drink Champagne because it concentrates CO2 at the top of the glass,  making it painful to enjoy the aroma. Prof. Liger-Belair recommends using a  white wine glass for enjoying the aroma, with a larger pour than you would use  for still wine (Remember, you don’t swirl the champagne glass lest the bubbles  are lost faster). The higher the pour level, the more bubbles you will see, even  though the level of dissolved CO2 is the same. In international  competitions, the  sparkling wines are increasingly being served in white wine  glasses. 
       Maximilian  Riedel, the chief executive of Riedel is waging a war on the flute. "It is  my goal that the flute will be obsolete by the day I pass away," he  recently declared. Oliver Krug of Krug Champagne concurs. He worked with Riedel  for five months to design and develop a glass specific to the Krug  champagne-and christened it as Le Joseph.  
              Hugh Davies, CEO of Napa  based Schramsberg, whose sparkling is traditionally served at the White House  State Banquets, and a sparkling wine expert says, "I like the Riedel  Champagne glass. It is bowled at the bottom and a bit narrower at the rim. This  really helps us enjoy the aroma of the sparkling wine. I am not a fan of really  tall flutes. They may assist in presenting bubbles, but they aren’t as good for  exploring the aromas and flavors of the wine." 
      Preserving the bubbles 
      To preserve the bubbles, you  should keep a stopper on the wine while it's in the ice bucket, and certainly  if the left-over has to be kept in the fridge. The tighter the seal, the better  it will preserve the wine. The idea that something like a teaspoon on top will  help keep the bubbles is an old wives' tale.  
      No matter what stopper you  use, carbon dioxide will escape the liquid to fill the space under the cork.  The more wine you drink, the larger the empty space. So the more delicate your  bubbles are to start with, the more imperative it is to finish the bottle the  same evening.The second time the Champagne is served, its level of dissolved  CO2 will be less than the first time. 
      Bubbles don't form on  perfectly flat surfaces; they form on microscopic particles like dust, or  imperfections in the glass itself. Gas builds up there, trying to escape the  liquid, until it makes its race to the surface. 
       Incidentally,  the pattern of CO2 that's set loose when the cork is popped is similar to the  mushroom cloud created by an exploding atom bomb. 
       Visual appearance of  sparkling wine 
      Visually, sparkling rosé is  prettiest, and not just for the color alone. "The foam of rosé Champagne  seems more persistent, probably because of the tannins found in red wine,"  explains the Professor. 
      Serving Temperature  
              Champagne  should be chilled to 4-9°C. Pour the wine gently down the side of the glass  like beer. Don't splash the Champagne straight down into the bottom of the  glass. Instead, trickle it down the side. That preserves more carbon dioxide  for the bubbles that rise while you drink the wine. The CO2 loss can be twice  as much if the pour is directed towards the center of the glass, according to  French researchers. 
       Higher  the serving temperature, the bigger the pop on release of the cork. Scientifically  speaking, this is because the pressure of Carbon Dioxide increases with  temperature. A popped cork from a warm bubbly can travel as fast as 80  kilometers per hour. 
       It  has been discovered recently that the larger bottles of champagne retain more  Carbon Dioxide bubbles. A magnum of champagne would be better than a standard  bottle. This might be one reason that 3-liter and 6-liter bottles of Drappier  Champagne have become very popular in India, although the novelty value would  be the more obvious factor. Moreover, warm champagne loses its CO2 quickly as  it's being poured, leaving less fizz out of the glass. 
       Dr.Gérard  Liger-Belair is a professor of Physics at the University of Reims, Champagne.  His research at the University is generally funded by enological and  agricultural programs in France and Europe - such as L'Association Recherché Oenologique Champagne et Université, which was created to boost champagne. 
      Whether it is a New Year Celebration or otherwise,  whether it is with dinner or as an aperitif, whether you are drinking  Champagne, Prosecco, Cava or an Indian Chandon, Sula, Fratelli or Grover Zampa  sparkling wines, follow the tips by the learned professor and enjoy the bubbly  even more.  
      For the genesis of this article, visit 
      Cheers! And a Happy New Year!! 
       Subhash  Arora 
      Tags: Champagne, Méthode Traditionelle, Gérard Liger-Belair, Uncorking the Science of Champagne, Maurizio Zanella, Satén, Riedel, Le Joseph, Hugh Davies  |